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DANISH CENTER FOR CULTURE AND DEVELOPMENT / CKU, Dar es Salaam, 2014
Conducted a comprehensive country analysis of the arts and culture sector in Tanzania to inform DCCD's creation of overall culture program for the period of 2014-2016. Referred to HRBA guidelines to present the main social, culture, and political issues relevant to arts and culture in Tanzania and assess the current issues, trends, policies and practices in Human Rights within a Tanzanian context, including information on freedom of expression, cultural diversity, and access to arts and culture, specifically as it relates to youth, women/girls, and other marginalized groups. Identified and held interviews with key actors in the arts and cultural sector. Researched, analyzed and clarified government policies and plans related to arts and culture as they exist within ‘real-time’ civic, private, and public institutions and organizations. Identified key donors and offered recommendations for funding in response to potential gaps and niches. Collaborated with Espen Sorensen who contributed to the chapter on music, policies, and recommendations. Final report was written in 15 working days, 70 pages.
Conducted a comprehensive country analysis of the arts and culture sector in Tanzania to inform DCCD's creation of overall culture program for the period of 2014-2016. Referred to HRBA guidelines to present the main social, culture, and political issues relevant to arts and culture in Tanzania and assess the current issues, trends, policies and practices in Human Rights within a Tanzanian context, including information on freedom of expression, cultural diversity, and access to arts and culture, specifically as it relates to youth, women/girls, and other marginalized groups. Identified and held interviews with key actors in the arts and cultural sector. Researched, analyzed and clarified government policies and plans related to arts and culture as they exist within ‘real-time’ civic, private, and public institutions and organizations. Identified key donors and offered recommendations for funding in response to potential gaps and niches. Collaborated with Espen Sorensen who contributed to the chapter on music, policies, and recommendations. Final report was written in 15 working days, 70 pages.